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PLASTER
Plaster cast of Uffizi Wrestlers | Plaster cast of Uffizi WrestlersMuch of the the bottom wrestler's head was missing. | Plaster cast of Uffizi WrestlersAfter treatment |
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Plaster cast of Uffizi WrestlersBefore treatment | Plaster cast of Uffizi WrestlersAnother copy of the cast was located, and a mold was made of the back of the other cast's head. | Plaster cast of UffiziThe new pieces were inset, then the seams were smoothed, plastered over, and hand-colored to match the original aged plaster. |
Plaster cast of Uffizi WrestlersAfter treatment | Modern horse sculptureBefore treatment: most of the snout and both ears were missing. | Modern horse sculptureIn process: new pieces were sculpted in place using thermosetting resin. |
Modern horse sculptureAfter treatment: the new pieces were colored to match the original surface, and waxed to bring up the shine. | Bust of Theodore RooseveltBefore treatment | |
Bust of Theodore Roosevelt | Bust of Theodore Roosevelt | Portrait bustBefore and after treatment |
Portrait bustBefore and after treatment | Full size cast of Capitoline VenusBefore treatment | |
Capitoline Venus cast | Capitoline Venus castDuring treatment: nine new fingers sculpted in place and braced to dry. | |
Plaster casts of classical VenusesThe Capitoline Venus was one of several life-size 19th century plaster casts of classical marble goddess sculptures that were treated for a museum exhibition. | 18th century Parisian swan and puttiBefore treatment | 18th century Parisian swan and puttiAfter treatment: repaired, surface restored, gilt touched in |
19th century plaster portrait relief | Multi-part Nike castBefore treatment. This large plaster cast of a classical marble Nike was made in nine sections, which stack to create the figure. | Torso section of multi-part NikeBefore treatment. |
Torso section of multi-part NikeMuch of the material around the break at the waist was missing, so fiberglass was used to rebuild the missing sections from the inside. | Torso section of multi-part NikeAfter treatment: the fiberglass fills were colored to match the original plaster surface. | Torso section of multi-part NikeAfter treatment: front view of the restored waist. |
Multi-part Nike, installation viewAfter treatment: installation of all nine sections, to form one large figure | RCA Victor dog (1920s)Before treatment: both ears were missing, and the head showed long structural cracks. | RCA Victor dog (1920s)After treatment: cracks sealed, ears sculpted in place, and color touched in. |
19th c. Brontosaurus teaching modelThis teaching model had several cracks and broken sections. | Cast of classical Orestes & ElektraBefore treatment: this cast was broken in dozens of pieces. | Cast of classical Orestes & ElektraAfter treatment: pieces repaired, base strengthened and supported, and missing elements created. |
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